• WorldWide

    @MadMen_AMC Recap: Far Away Places

    “It’s over” should have been the title of today’s episode. Peggy (Elisabeth Moth) gets kicked off of the Heinz project for getting dramatically emotional in front of a pitch when left alone in the board room. I guess Don Draper (Jon Hamm) has an even bigger influence in the office than he thinks. But how can you blame him when he’s so busy fawning over Megan (Jessica Pare.)

    Roger Sterling (John Slattery) tries a stab at LSD with his wife Jane (Peyton List) and the two realize they’ve fallen out of love. She says, “I knew we were going somewhere, and I didn’t want it to be here.” Too bad you can’t take back the words you say, no matter what you were on last night. I’m super excited for this break-up because I’m still hopeful Roger and Joan (Christina Hendricks) will finally tie the knot! Who’s got their fingers crossed with me?

    On another note, it looks like Don and Megan might finally be falling off the ‘newly weds’ high. They run out of work to catch a weekend getaway and Don decides where they go, where they stay, what they eat, down to what dessert they’re having. Megan can’t hide her frustration and does the one thing Don can’t stand — embarrass him in public.

    It’s actually kind of hilarious how often she does this. Remember the birthday party? Anyway, she makes such a huge deal out of this that Don literally drives away and leaves her at the bed and breakfast! She finds her own way home and Don freaks out for the next seven hours, realizing how much he can’t bear losing her. But how much is this incredible passion putting a dent in his professional life? Bert Cooper (Robert Morse) couldn’t have said it better, “You’ve been on love-leave.”

    @missamandachen

  • WorldWide

    @MadMen_AMC Recap: Signal 30

    Pete Campbell (Vincent Kartheiser) doesn’t only have to fight with Roger Sterling (John Slattery) for respect over his accounts. Lane Pryce (Jared Harris) enters the battlefield with Edwin Baker of Jaguar cars. Of course we never see Pryce get involved beyond financials, so watching him schmooze with a potential BFF is pretty painful. The big boys take over the account and take the Englishman in love with America to a ‘party’ that involves young girls with chewing gum. I’m glad I’m in the 21st Century because clearly the guys didn’t really groom so much more than their face back in the day.

    Speaking of faces, Lane kicked the crap out of Pete in the office. How is this even allowed? I guess it’s because everyone wanted to do that, from Roger, Don, Ken and even Joan (Christina Hendricks). Oh, and what the hell was Lane thinking when he kissed Joan? As if things weren’t awkward enough after he called a fight at a partners meeting.

    I don’t know what’s going on with Pete, but he’s miserable as hell. He slept with a whore and tried to hit on a teenager in driving school. Yet his wife Trudy (Alison Brie) somehow got Don Draper (Jon Hamm) to attend a get-together for the first time without it having to be some huge occasion, like a wedding. Even Don admits to Trudy, “It’s too bad your husband can’t close a deal like this.”

    And what’s all this talk about robots and a dystopia from Ken Cosgrove (Aaron Staton)? Last week we saw some delirious dream where Don finally grew some morals about casual sex and now Pete’s miserable in his own amazing life and can’t stop hating Don for his decent nature regardless of how ruthless he is at work. I’m a little upset I didn’t get to see any action with the leading ladies, but I guess we’re still trying to figure out what ‘the man’ means right now.

    @missamandachen

     

  • WorldWide

    @MadMen_AMC Recap: Mystery Date

    Oh, what a tease. Joan’s (Christina Hendricks) husband Greg (Sam Page) comes back from Vietnam only to tell us he’ll be gone for another year. Of course, he volunteered to go back knowing he’s got a family and Joan is not having it. I don’t blame her — she didn’t plan to be a military wife. She has no control over her mother, her job and now her husband. What’s going on with Big Red? I didn’t expect them to break up this quickly. At least give me a few more episodes with Sam Page!

    On another note, Peggy (Elisabeth Moss) definitely knows how to hold her own at the office. When Roger (John Slattery) comes to her to write a corporate plan for Mohawk in spite of Pete (Vincent Kartheiser), she hustles $400 out of him. But it doesn’t look like she’s getting much out of it. After buddying up with the new receptionist, she reveals some thoughts about ‘acting like a man’ at work. “I tried, but I don’t know if I have it in me. I don’t know if I want to.”

    It looks like the new copywriter Michael Ginsberg (Ben Feldman) is doing anything but the Mohawk project, and killing it. He’s dealing with Don (Jon Hamm) in a completely contemporary way that even Don can’t figure out. Maybe he’s just naive, but it looks like this guy’s going far with his disregard for authority.

    Also, we’re finally getting back to some classic Don Draper psychoanalysis. He’s caught with an ex-booty call Andrea in the elevator with Megan (Jessica Pare). He’s deliriously sick and imagines having an affair with Andrea and choking her to death saying, “You won’t ruin this.” But he imagined it, so he could be the same old Don, with his notorious appetite for casual sex. Who knows?

    @missamandachen

  • WorldWide

    @MadMen_AMC Recap: Tea Leaves

    OMG Betty (January Jones) is fat. Like can’t fit in her already huge dress kind of fat. It doesn’t help that she’s eating a second helping of ice cream. But she might even have a tumor? Looks like the wives in the 70s aren’t as desperate and are definitely better fed. But the new Mrs. Draper can’t really pair up when handling a double date for Heinz with Don (Jon Hamm). Don and Harry (Rich Sommer) join forces to get The Rolling Stones for their next project. They creep into a concert and stand out like sore thumbs. Obviously nothing good comes out of it, except Harry wets his tongue over some teenagers.

    Peggy gets assigned to grab a new copywriter for the Mohawk account. While shopping for talent she interviews a crazy erratic die-hard Jewish writer named Michael Ginsberg. She totally offends him by talking about Don Draper and what the biz is like and has no idea how rude he’s being. Well, sort of. He said something like, “I insulted you because I’m honest and I apologized because I’m brave.” Roger forces her to hire him, and says something about needing Jewish writers. He also noted that they smell like pee, don’t submit to authority, and some other stuff that sort of appear true.

    After the whole Rolling Stones ordeal, Don doesn’t want to meet Megan’s young and worry-free friends while he’s stressing about Betty’s health and the status of his company. The office hires the quirky writer after he plugs in “the letter” Don wrote that time about cigarettes. Good play! But I really feel bad for Peggy. Not only does she have the laziest art director working with her, now she has this obnoxious copywriter who’s already getting in with the partners. As Roger said, she needs to grow a penis.

    Speaking about dicks, Pete Campbell (Vincent Kartheiser) steals the show by toasting to the Mohawk account and took away Roger’s only chance at contributing something. He leaves off saying, “When is everything gonna get back to normal?” I’m hoping with Joan returns. Or with Megan leaves. Or both.

    @missamandachen